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Yesterday (26th Jan) Jaya and I completed going around the sun together 10000 times.
Keats likens his own discovery of Homer’s poetry to the experience of the great astronomer and the great explorer finding new worlds.....Then felt I like some watcher of the skiesWhen a new planet swims into his ken;Or like Stout Cortez when with wond’ring eyesHe stared at the Pacfic – and all his menLooked at each other with a wild surmise –Silent upon a peak in Darien.Both comparisons turn on moments of physical vision – watching, staring, looking with ‘wondering eyes’. (This was the original manuscript reading, although Keats later changed it to the more conventional ‘eagle eyes’.) Physical vision – one might say scientific vision – brings about a metaphysical shift in the observer’s view of reality as a whole. The geography of the earth, or the structure of the solar system, are in an instant utterly changed, and forever. The explorer, the scientific observer , the literary reader, experience the sublime: a moment of revelation into the idea of the unbounded, the infinite.
Campbell recalled that he felt he had been ‘conversing with a super natural intelligence.’ Finally, Herschel completely perplexed the poet by remarking that many distant stars had probably ‘ceased to exist ‘ millions of years ago, and that looking up into the night sky we were seeing a stellar landscape that was not really there at all. The sky was full of ghosts. 'The light did travel after the body was gone.’ After leaving Herschel, Campbell walked onto the shingle of Brighton beach, gazing out to sea, feeling ‘elevated and overcome.’ He was reminded of Newton’s observation that he was just a child picking up shells on the seashore, while the great ocean of truth lay all before him.
The most important force pushing people away from religion has always, I suspect, been what you might call the problem of scale. The Copernican revolution in astronomy – the celebrated transition from “closed world” to “infinite universe”, and the demotion of the earth from a commanding position at the centre of the cosmos to a supporting role circling one of the less distinguished of millions of stars – dealt a prodigious blow to human self-esteem. But even without the benefit of modern cosmology, our earliest ancestors must have been able to sense the paltriness of their hopes and fears compared with the colossal indifference of everything else. Most of us, in the course of growing up, will have been transfixed by the thought that we ourselves, together with parents and all the other figures who stride like giants through our lives, are of very little interest to the rest of the human race, and of no consequence at all to the ambient natural world. I remember, as a devout schoolboy, being halted in mid-prayer by the thought of my minuteness: God in his greatness was not going to spare a thought for little me or anyone I knew, and was probably bored to tears by the whole human fandangle.
In a universe of blind physical forces and genetic replication, some people are going to get hurt, other people are going to get lucky, and you won’t find any rhyme or reason in it, nor any justice. The universe we observe has precisely the properties we should expect if there is, at bottom, no design, no purpose, no evil and no good, nothing but blind, pitiless indifference. As that unhappy poet A.E. Housman put it:For Nature, heartless, witless NatureWill neither care nor know.
Thus, from the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, whilst this planet has gone circling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being evolved.
I hesitate to intrude on the beauty of these lines. By necessity I will simply point out a few interesting features and later changes. Note, first that Darwin seems to speak to those perhaps reluctant to let go of their natural theology worldview: despite the reality of the "war of nature" - famine and death - exquisite beauty arises, he urges. His tone is not consoling, yet there is an air of reassurance about the statement. Note, too, the juxtaposition of Darwin's natural law of descent with modification with the law of gravitation. Even the divines of Darwin's time would have granted that the planets cycle on by Newtonian natural law, albeit set in motion by the creator. So, too, Darwin is saying, do life forms continually change - not in a cycle, he would argue, but in response to cycles of geological and biological change, in a grand interrelated system that spins "endless forms most beautiful and most wonderful" from perhaps but a single common ancestor. In the second edition Darwin added "by the Creator" to "originally breathed," intimating that a creator may have set this grand system in motion, just as the physicists held for the clockwork universe. Note, finally, that the very last word is the only use of the word "evolve" or its cognates in the book - ironic, given that "evolution" is now synonymous with Darwin's model of common descent by natural selection. In his day the word was more closely associated with embryological development, and indeed Darwin's usage in this last sentence may be invoking an image of the embryo's unfolding developmental complexity, as natural selection endlessly spins out those forms most beautiful and most wonderful.
All things, including the species to which you belong, have evolved over vast stretches of time. The evolution is random, though in the case of living organisms, it involves a principle of natural selection. That is, species that are suited to survive and to reproduce successfully, endure, at least for a time; those that are not so well suited, die off quickly. But nothing - from our own species, to the planet on which we live, to the sun that lights our day - lasts forever. Only the atoms are immortal ...
Microhyla (sometimes confused with Gastrophryne ) is a genus of small frogs, the narrowmouthed frogs. There are several species, including two in North America: the eastern narrowmouth Microhyla carolinensis, and the Great Plains narrowmouth Microhyla olivacea. These two are so closely related that they occasionally hybridise in nature. The eastern narrowmouth’s range extends down the east coast from the Carolinas to Florida, and west until half way across Texas and Oklahoma. The Great Plains narrowmouth extends from Baja California in the west , as far north as northern Missouri. Its range is therefore a western mirror of the eastern narrowmouth’s and it might as well be called the western narrowmouth. The important point is that their ranges meet in the middle: there is an overlap zone running up the eastern half of Texas and into Oklahoma. As I said, hybrids are occasionally found in this overlap zone, but mostly the frogs distinguish just as well as herpetologists do. This is what justifies our calling them two different species.
This phenomenon, where two species differ from each other more when they overlap than when they don’t , is called ‘character displacement’ or ‘reverse cline’. It is easy to generalise from biological species to cases where any class of entities differ more when they encounter one another than when they are alone. The human parallels are tempting, but I shall resist. As authors used to say, this is left as an exercise for the reader.
In addition to this medical fear, there was a deeper bewilderment and fear that he found almost impossible to articulate, and it was this that had come to a head in his month of attempted colour painting, his month of insisting that he still ‘knew’ colour. It had gradually come upon him, during this time, that it was not merely colour perception and colour imagery that he lacked, but something deeper and difficult to define. He knew all about colour, externally, intellectually, but he had lost the remembrance, the inner knowledge of it that had been part of his very being. He had had a lifetime of experience in colour, but now this was only a historical fact, not something he could access and feel directly. It was as if his past, his chromatic past, had been taken away, as if the brain’s knowledge of colour had been totally excised, leaving no trace, no inner evidence, of its existence behind.
Although Mr. I does not deny his loss, and at some level still mourns it, he has come to feel that his vision has become ‘highly refined’, ‘privileged’, that he sees a world of pure form, uncluttered by colour. Subtle textures and patterns, normally obscured for the rest of us because of their embedding in colour, now stand out for him. He feels he has been given ‘a whole new world’, which the rest of us, distracted by colour, are insensitive to. He no longer thinks of colour, pines for it, grieves its loss. He has almost come to see his achromatopsia as a strange gift, one that has ushered him into a new state of sensibility and being.